#NPRreads is a new feature we're testing out on Twitter and on The Two-Way. The premise is simple: Correspondents, editors and producers throughout our newsroom will share pieces that have kept them reading. They'll share tidbits on Twitter using the #NPRreads hashtag, and on occasion we'll share a longer take here on the blog.
This week, we bring you four reads:
From Ina Jaffe, a correspondent on NPR's National Desk:
Saxophonist Joshua Redman and the collaborative trio The Bad Plus both stand among the most celebrated, thoughtful and prominent jazz acts of the last couple decades. That, and their constrasting aesthetic sensibilities, made it at least news when they first got together in 2011. As it turns out, that collaboration bore lasting fruit: After a series of gigs last summer, they went into the studio with each others' tunes to record The Bad Plus Joshua Redman (say it out loud), to be released in late May.
Saxophonist and composer Kamasi Washington, 34, has been working on releasing his now three-CD, nearly three-hour, choir-and-strings-assisted album The Epic for the better part of five years now. Even longer, if you consider how long his 10-piece working band has known each other: Most of its members, known collectively as The Next Step or The West Coast Get Down, have known each other since at least high school decades ago in South Central Los Angeles, and in some instances well before that.
For 25 years, the baritone saxophone chair of the Jazz at Lincoln Center Orchestra has been held by a one Joe Temperley. The Scottish musician, now 85, carries tons of credits to his C.V., especially with big bands: Thad Jones-Mel Lewis, Woody Herman, Buddy Rich, Clark Terry and — most notably — the Duke Ellington Orchestra.
The pianist and composer Vijay Iyer frames his new trio recording, Break Stuff, around the idea of musical breaks: "a break in music is still music: a span of time in which to act," he writes. Formally, he's referring to breakbeats and other musical breakdowns, but more generally, Iyer's trio exploits opportunities to rupture convention.
Originally published on Fri April 24, 2015 6:55 pm
High on a West Bank hilltop, the extended Dissi family gathered on a recent weekend for a day out in the Palestinian countryside.
Aunts, uncles and cousins came to see the half-built weekend home of Taysier Dissi, an electrician and father of three. The concrete-block shell, with windows set and stairs roughed in, is placed just right for the view.
This will be the family's getaway from their home in the cramped confines of Jerusalem's often tense Old City. Dissi paid about $30,000 for one-third of an acre here, bought from a Palestinian-Canadian company, UCI.
Originally published on Fri April 24, 2015 10:33 pm
It's springtime in Pittsburgh, and throughout the city, Callery pear trees are sprouting beautiful, white blossoms.
But that's just the problem. Simply put, these trees stink.
"This whole place smells like dead fish," says Sheila Titus. "I mean everywhere. Everywhere you see one of these trees with the white on them."
Titus has lived in her home in the now-hip neighborhood of Lawrenceville for 49 years. Two decades ago, her grandson and his 7th grade class planted a row of Callery pears across the street from her house.