Originally published on Thu January 16, 2014 11:03 am
Bryn Mawr College is located just outside Philadelphia, but every year the school goes looking for students in Boston.
Bryn Mawr typically admits 10 low-income students from the Boston area each year, providing them with financial assistance and introducing them to one another in hopes that they will form a network and support each other as they navigate their college years.
Bryn Mawr doesn't stop in Boston. Working with the nonprofit groups Posse Foundation and College Match, the college actively seeks to enroll low-income students who show great promise.
Originally published on Thu January 16, 2014 3:18 pm
Liquor companies like to make drinkers think their favorite spirits always have been and always will be attached to a very particular place — Kentucky bourbon, Irish whiskey, Russian vodka.
But like many other industries, the liquor business has gone global, and a small number of players increasingly dominate the industry worldwide. The distilling may still be local, but ownership is definitely international.
Originally published on Thu January 16, 2014 4:32 pm
Ever since the Oscars expanded the Best Picture field to include up to 10 nominees, they've been taking advantage of that extra space, and this year was no exception. While the original chatter was about the possibility of including more crowd-pleasers (there was much discussion of whether the expanded field would have helped The Dark Knight), what's consistently happened is that the "extra" nominations have gone to films that might have been too small to be nominated, not too "pop" to be nominated.
Jonathan Clay and Zach Chance met when they were 14 in Magnolia, Texas, but started out as solo musicians. For their U.S. radio debut on Morning Becomes Eclectic, Jamestown Revival — the duo plus a talented supporting cast — played songs from its first EP, like the destined-to-be-a-hit "California (Cast Iron Soul)," a folk- and roots-inspired ballad about duo's pilgrimage west.
Lebanese singer-songwriter Yasmine Hamdan is an eminently cool addition to the indie-pop landscape. She was the co-founder of the groundbreaking duo Soapkills, which might have been the very first electronic band in postwar Beirut. Now a solo artist and based in Europe after a childhood split between Lebanon, Kuwait, Abu Dhabi and Greece, Hamdan blends new material with reworked traditional songs in a smoky-cool electro-pop setting.
If you've encountered banjo phenomenon Abigail Washburn before, you might know that she's loved China for a long time. In fact, it was her plan to study law at Beijing University that led her to her chosen instrument a little more than a decade ago: She'd wanted to bring "something American" with her to China and started to learn old-time music — and found her destiny.
Imagine the 1950s big-band mambo sound of Perez Prado refracted through the lens of the 21st-century Latino experience in the U.S. That gives just a tiny clue to what's in store during a set with this Arizona band, led by keyboardist, guitarist and vocalist Sergio Mendoza. The group also features the rich baritone of Mexican vocalist Salvador Duran, framed by guitar, keyboard, percussion, drums and, of course, brass.
Touareg guitar rock, desert blues: Whatever you call it, it's shorthand for a certain style from the Sahara that has triumphed at festivals and venues across Europe and North America, thanks to acts like Tinariwen and Bombino.
The Amsterdam quintet KiT twists Afro-Caribbean tradition into an accessible, club-ready style. KiT, or Kuenta i Tambu — "Stories and Drums" — takes music from the Caribbean island of Curaçao, merges it with European dance-floor music and kicks it all into high, sweaty gear.
For decades, Hassan Hakmoun has been the foremost ambassador of the Gnawa people and their incredible musical and spiritual traditions. A native of Marrakech, Hakmoun grew up in a Gnawa family, whose ancestors were brought from West Africa to North Africa as slaves in the 15th and 16th centuries. At the center of their spiritual practice is music and dance that fuses Islamic mysticism with sub-Saharan African traditions, particularly in all-night trance rituals meant to praise God and heal bodies and minds.