Bob Mondello

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

Steven Spielberg's pets are off the leash again.

(SOUNDBITE OF FILM, "JURASSIC WORLD: FALLEN KINGDOM")

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

MARY LOUISE KELLY, HOST:

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

MARY LOUISE KELLY, HOST:

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

Fifty years ago this past weekend, Broadway "let the sun shine in."

The musical Hair was controversial in 1968, with its rock music, hippies, nude scene, multiracial cast and anti-war irreverence. It billed itself as "the American Tribal Love-Rock Musical."

Audiences ... didn't quite know what to make of that. (They figured it out eventually.)

To appreciate how unexpected Hair was in 1968, consider what else was playing on Broadway the week it opened:

Hello, Dolly!

Man of La Mancha

At one point early in the new Marvel movie Avengers: Infinity War, the big, purple bad guy snarls, "The end ... is near."

In a way, he's talking about the Avengers movies themselves. The superhero supergroup has already saved the world in three movies and countless comic books. But this time they're up against that aforementioned bad guy — a violet-colored villainous space-tryant called Thanos (Josh Brolin) — and it's not just the world that's in danger, at least according to his estranged daughter Gamora (Zoe Saldana).

Eight seconds.

That's how long a rodeo cowboy has to stay on a bucking bronco to complete his ride. In writer/director Chloe Zhao's gorgeous and heartbeakingly humane new movie The Rider, she shows us how one such cowboy made it through those eight seconds — only to have his entire life transformed by what happened one second later.

What happens to a relationship when its rules change?

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

AILSA CHANG, HOST:

This Sunday night, some nattily dressed Oscars presenter will read the names of this year's five nominees for best foreign-language film. The politically-charged Foxtrot — which received funding from the Israeli government as well as condemnation from Israel's culture minister (who boasts that she has not seen it) — won't be among them.

That's a shame.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

Director Andrey Zvyagintsev's Loveless -- Russia's submission to this year's Academy Awards, and one of the five movies up for best foreign language film come Oscar night — begins with two parents screaming at each other about their upcoming divorce.

They're trying to sell their apartment, and it quickly becomes clear that their relationship is so toxic they'd probably sell their kid, too, if they could get away with it. Neither of them wants to take care of 12-year-old Aloysha (Matvey Novikov), who's sobbing quietly in the shower as they argue.

When Orlando (Francisco Reyes) enters a rooftop supper-club in Santiago at the beginning of the film, he can't take his eyes off Marina (Daniela Vega), a striking young vocalist who's crooning lyrics about throwing her boyfriend out with the garbage because, she sings, his love "is like yesterday's newspaper."

She sings that line straight to Orlando, with a little smile. She's definitely not throwing him away ... she's moving into his apartment as soon as they celebrate her 27th birthday.

'Molly's Game' Is Aces

Dec 23, 2017

Molly Bloom (Jessica Chastain) is a fighter.

When a freak accident on the slopes sidelines her bid to become an Olympic skier — an accident from which she insists upon walking away — she moves to Los Angeles and gets a job as a cocktail waitress.

Steven Spielberg's The Post is a story of journalists, government leaks, and a president who hates the press. It's about the publication of the Pentagon Papers in 1971, but there's a reason Spielberg rushed to tell the story now.

And he really did rush: The filmmaker has long talked about making a Pentagon Papers movie, but the 2016 election made him feel it had become urgent. He got the working script just weeks after the Inauguration, rounded up his high-powered cast, and leapt into production as if he were making a little indie flick on the fly.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

Every year between Thanksgiving and Christmas, Hollywood offers up lots of brightly wrapped presents - kid flicks, awards contenders, blockbuster wannabes. And around this time every year, we check in with movie critic Bob Mondello for his holiday movie preview.

Pixar's animators seem willing to go anywhere in pursuit of fresh enchantment. They plunged to the ocean's depths in Finding Nemo, took to the sky with helium balloons in Up and entered a child's mind in Inside Out. Now, in the movie Coco, they — and we — are visiting the afterlife.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

You know what today is? It's Thorsday (ph). Marvel's hammer-throwing Norse god is back in movie theaters. NPR critic Bob Mondello says whole worlds are at stake in "Thor: Ragnarok."

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

LAKSHMI SINGH, HOST:

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

KELLY MCEVERS, HOST:

You had to wonder how director Sean Baker would follow up his shot-on-an-iPhone, transgender-prostitute comedy Tangerine if he ever got a hold of enough cash to pay for a star and a Steadicam. His extraordinary, almost-homeless-family dramedy, The Florida Project, provides the exhilarating answer.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

It would be hard to pay homage to Vincent Van Gogh with more fervor or devotion than filmmakers Dorota Kobiela and Hugh Welchman bring to Loving Vincent, in which they've not only created thousands of new oil paintings in his style, but also made him the subject of a murder-mystery.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

There's a film hitting theaters this weekend you may not have heard anything about. It's called Tulip Fever, a period romantic thriller starring Alicia Vikander, Christoph Waltz, Judi Dench and Dane DeHaan, with a screenplay by Tom Stoppard.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

Pages