Robert Christgau

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ROBERT SIEGEL, HOST:

Memphis singer songwriter Amy LaVere specializes in lyrics that are more barbed than her sweet soprano prepares you for. Our music critic, Robert Christgau, thinks she's never gotten that balance quite as right as she has on her new album, "Runaway's Diary."

The wry and tuneful Withered Hand is Dan Willson, a graphic artist from Edinburgh who drifted away from the Jehovah's Witnesses as a teenager — but not, you get the feeling, with a satisfied mind. His moniker is a scriptural reference, and he named his 2009 debut Good News, one way Christians refer to the New Testament. (More to the point, its key track is called "Religious Songs.")

Transcript

AUDIE CORNISH, HOST:

The band Drive-By Truckers are in their third decade playing alternative country music tinged with Southern pride. Critic Robert Christgau says they put out a great album in 2008 then hit a lull. But he says their latest album, out this week, is a true comeback.

Sam Baker has a backstory that must be told. In 1986, at age 31, he was traveling by train in Peru when a bomb from the terrorist group Shining Path exploded right next to him. The little girl he'd been talking to was killed along with half a dozen others, and his own injuries required 18 operations. His mangled left hand was rebuilt; work on his ears left him with a loud ringing that never stops, though Baker says he's made his peace with it.

After six years as a sideman for many soul veterans, Marc Ribot made his name in 1985 with Rain Dogs, the album that marked Tom Waits' permanent transition from eccentric singer-songwriter to truly weird singer-songwriter. Ribot has held down straight gigs since then, but his work has tended toward the avant-garde. That's much less true on the song-oriented second album by the trio he calls Ceramic Dog.

Dad Country is the ersatz debut of Jonny Fritz, but it's actually his third album: He recorded the first two under the name Jonny Corndawg. I enjoyed his 2011 album Down on the Bikini Line, but it's so much slighter, so much sillier and more risqué, that at first I didn't connect the two. From the new album's first seconds, Jonny Fritz sounds more intense and pained.