Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he curates Song of the Day, fusses over the placement of commas and appears as a frequent panelist on the podcasts All Songs Considered and Pop Culture Happy Hour. In 2008, he and Bob Boilen created the weekly NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, Weekend All Things Considered and Morning Edition, on which he earned the distinction of becoming the only member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the forthcoming anthology This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children and a Frogger machine. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

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First Listen
11:03 pm
Sun May 4, 2014

First Listen: Mirah, 'Changing Light'

Mirah's new album, Changing Light, comes out May 13.
Courtesy of the artist

Originally published on Wed May 14, 2014 3:31 pm

Mirah wrote Changing Light, her fifth full-length solo album, in the years-long aftermath of a punishing breakup. Maybe it's the amount of time it took for the material to gestate, or maybe it's the thoughtfulness and patience gleaned from a nearly 20-year career, but Changing Light keeps looking at her ache from wise angles. Nervy and sonically inventive in spots, tender and graceful in others, it's a breakup record that eschews childish outbursts and pointless wallowing.

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First Listen
11:03 pm
Sun May 4, 2014

First Listen: Sylvan Esso, 'Sylvan Esso'

Sylvan Esso's self-titled debut album comes out May 13.
DL Anderson Courtesy of the artist

Originally published on Wed May 14, 2014 3:32 pm

The product of an unlikely pairing of musicians, Sylvan Esso works in equally unlikely ways: Singer Amelia Meath first surfaced as a singer in the largely a cappella Vermont folk group Mountain Man, while Nick Sanborn plays bass in the versatile North Carolina psych-rock band Megafaun.

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All Songs Considered
10:48 am
Fri May 2, 2014

The Good Listener: Is It Fair To Call A Band A Sellout?

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"Did you know that [The Promise Ring] made fifty thousand dollars last year?"
Courtesy of the artist

We get a lot of mail at NPR Music, and alongside the Pokemon games we purchased for our kids even though they're entirely indistinguishable from the other Pokemon games we've purchased for our kids is a slew of smart questions about how music fits into our lives — and, this week, thoughts on what it means (and whether it's even possible) to sell out as a musician.

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All Songs Considered
3:28 pm
Mon April 28, 2014

Song Premiere: Banks, 'Goddess'

Banks' upcoming album is titled Goddess.
Courtesy of the artist

Originally published on Tue April 29, 2014 2:06 pm

At SXSW this year, I found myself wondering whether Banks was even a real person: Every time I tried to catch one of her shows, the venue was filled to capacity, with no hope of ingress. My curiosity had been piqued by a string of intriguing singles and remixes, each of which showcased a nifty juxtaposition of coolly expressive vocals and forbidding but beautiful electronics. But I left empty-handed, forced to file her name away for later exploration.

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Tiny Desk Concerts
2:03 pm
Mon April 28, 2014

Johnnyswim: Tiny Desk Concert

Johnnyswim performs at a Tiny Desk Concert in April 2014.
Jim Tuttle NPR

Originally published on Wed June 18, 2014 11:00 am

Once you're able to see this three-song set by the band Johnnyswim, NPR Music will have published exactly 350 Tiny Desk Concerts — so we've developed a pretty good sense of when a set will stick in our memories for a while. We intuited, for example, that Adele was about to become a dominant force shortly after she breezed into our offices.

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First Listen
11:03 pm
Sun April 27, 2014

First Listen: Kishi Bashi, 'Lighght'

Kishi Bashi's new album, Lighght, comes out May 13.
Kaden Shallat Courtesy of the artist

Originally published on Fri June 13, 2014 1:50 pm

K. Ishibashi opens his second solo album, Lighght, by taking a tone-setting 48-second violin solo. Titled "Début - Impromptu," it skids and squeaks with accelerating abandon until the notes distort and smash together chaotically; by the end, the instrument has become largely indistinguishable from the machines he so often uses to loop and manipulate it. It's equal parts introduction and mission statement for Lighght, in which technique and experimentation collide in high-spirited, even disorienting ways.

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First Listen
11:03 pm
Sun April 27, 2014

First Listen: Nikki Lane, 'All Or Nothin"

Nikki Lane's new album, All or Nothin', comes out May 6.
Chuck Grant Courtesy of the artist

Originally published on Tue May 6, 2014 12:16 pm

Many young singers are stalked by an ill-fitting, virtually unshakable descriptor, whether it's a limiting and vaguely dismissive adjective ("quirky," for example) or a limiting and vaguely dismissive noun ("songstress," to pick one that should be banished from the language and buried under 10,000 pounds of rock salt). For Nikki Lane, that descriptor seems to be "outlaw country" — a generally defensible expression, but one that can subtly imply an element of posturing, even posing.

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All Songs Considered
2:07 pm
Fri April 25, 2014

The Good Listener: Is It OK To Bootleg Concerts?

Phish has a thorough set of policies for fans who want to tape the band's shows.
Jeff Kravitz FilmMagic

Originally published on Fri April 25, 2014 4:31 pm

We get a lot of mail at NPR Music, and alongside the two quart-size tubs of barbecue sauce is a slew of smart questions about how music fits into our lives — and, this week, thoughts on recording and trading live shows for our private enjoyment.

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First Listen
9:30 am
Mon April 21, 2014

First Listen: Pixies, 'Indie Cindy'

The Pixies new album, Indie Cindy, comes out April 29.
Jay Blakesberg Courtesy of the artist

Originally published on Wed April 30, 2014 9:40 am

Last year, My Bloody Valentine released its first album since 1991, and the result sounded as if not a minute had passed in the intervening 22 years. Every bleary, bended note of m b v sounded immaculately crafted, as if Kevin Shields and company had been toiling away in pursuit of perfection since the release of Loveless and merely lost track of time.

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Field Recordings
8:03 am
Thu April 17, 2014

Merchandise Sprawls Out In The Sunlight

Merchandise performing "Become What You Are" for a NPR Field Recording.
NPR

Originally published on Tue July 8, 2014 1:13 pm

Merchandise got its start on the Tampa punk and hardcore scene, then got weirder as artier influences like krautrock took hold. As its sound became harder to pin down, the band inspired an 18-month bidding war between record labels: This year, Merchandise finally signed with 4AD, and adventurous new material has begun to trickle out.

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All Songs Considered
4:52 pm
Thu April 10, 2014

The Good Listener: How Do I Appear Knowledgeable Without Acting Like A Jerk?

Jack Black in a scene from the 2003 film School Of Rock
Andrew Schwartz PARAMOUNT

Originally published on Thu April 10, 2014 5:25 pm

We get a lot of mail at NPR Music, and amid the fliers for yard-cleaning services that know a big job when they see one are a slew of smart questions about how music fits into our lives — and, this week, thoughts on ways to drop musical knowledge without seeming obnoxious.

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First Listen
11:03 pm
Sun April 6, 2014

First Listen: The Both, 'The Both'

Aimee Mann and Ted Leo of The Both, whose self-titled debut album comes out April 15.
Christian Lantry Courtesy of the artist

Originally published on Tue April 15, 2014 3:26 pm

When solo musicians combine to form a duo, compromise is natural. There's only one spotlight to share, which means figuring out who recedes into the background when, and there's usually a built-in need to find a midpoint between two sounds. To fuse the music of Aimee Mann and Ted Leo is to demand a tremendous stylistic shift of one or the other; Mann's voice is too sullen and soft, and his too barky and frenetic, for them to interlock easily.

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First Listen
11:02 pm
Sun April 6, 2014

First Listen: Slint, 'Spiderland (Remastered)'

Slint's Spiderland box set comes out April 15.
Courtesy of the artist

Originally published on Tue April 15, 2014 3:25 pm

During its original run in the late '80s and early '90s, Slint never reached a huge audience: Its music was, by its nature, too dark and strange and sprawling. But its influence has stretched for decades, and its two full-length albums (1989's Tweez and 1991's Spiderland) are, to this day, counted as underground classics.

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All Songs Considered
3:19 pm
Thu April 3, 2014

The Good Listener: What Makes An Anthem?

The Boss: Maker of anthems for the young, for the old, forever.
Courtesy of the artist

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All Songs Considered
2:16 pm
Thu March 27, 2014

The Good Listener: Am I Too Old For Music Festivals?

At some point, you'll probably feel like you're too old to attend a music festival.
20th Century Fox

Originally published on Thu March 27, 2014 5:04 pm

We get a lot of mail at NPR Music, and amid the hundreds of water bottles we were supposed to give away at SXSW is a slew of smart questions about how music fits into our lives — and, this week, thoughts on when a person can rightly be considered too old to attend music festivals.

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Field Recordings
12:17 pm
Thu March 27, 2014

One Wytch, Unplugged In A Sunny Backyard

Mito Habe-Evans NPR

Originally published on Wed July 9, 2014 11:18 am

The Wytches' furious, hair-flinging psych-rock isn't the stuff of back-porch acoustic sessions: Both live and on the English band's singles, the energy is so intense, it can barely be contained. But when NPR Music arranged a Wytches session during SXSW — held in the charming backyard setting of Friends & Neighbors in east Austin — singer-guitarist Kristian Bell stood in for the whole band, with just his voice and an acoustic guitar.

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First Listen
11:03 pm
Sun March 23, 2014

First Listen: Cloud Nothings, 'Here And Nowhere Else'

Cloud Nothings new album, Here and Nowhere Else, comes out April 1.
Pooneh Ghana Courtesy of the artist

Originally published on Tue April 1, 2014 2:13 pm

The word "maturation" and the word "punk" don't often coexist easily: For a band like Cleveland's Cloud Nothings, whose sloppily aggressive songs channel slackerdom and frustration, growing up would seem antithetical to its mission. But the group's third album, Here and Nowhere Else, threads the needle just right, tightening and brightening Cloud Nothings' sound in ways that never numb its blistering, careening forcefulness.

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First Listen
11:03 pm
Sun March 23, 2014

First Listen: Timber Timbre, 'Hot Dreams'

Timber Timbre's new album, Hot Dreams, comes out April 1.
Courtesy of the artist

Originally published on Tue April 1, 2014 2:13 pm

Timber Timbre's members tiptoe across some strange boundaries: Atop atmospheric sound beds that often conjure spaghetti Westerns, Taylor Kirk's dusky croon can seem seductive, inviting and, when he prefers, deeply creepy. It's a voice that can embody Halloween itself — Timber Timbre is self-aware enough to have titled its last album Creep On Creepin' On — and yet Kirk possesses the versatility to sing sweet ballads with Feist on the side.

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SXSW: Live From Austin
1:45 pm
Thu March 20, 2014

SXSW 2014: Perfect Pussy, Live In Concert

Perfect Pussy's Meredith Graves performs during NPR Music's SXSW showcase.
Adam Kissick for NPR

Originally published on Wed July 9, 2014 9:08 am

Before her band had played a single note, frontwoman Meredith Graves surveyed a thousands-strong crowd packing Stubb's BBQ at NPR Music's 2014 SXSW showcase.

"We're Perfect Pussy," she said. "We're terrified."

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SXSW: Live From Austin
12:38 pm
Tue March 18, 2014

SXSW 2014: Eagulls, Live In Concert

British post-punk band Eagulls performs at NPR Music's SXSW showcase.
Adam Kissick for NPR

Originally published on Wed July 9, 2014 9:06 am

The Leeds-based post-punk band Eagulls hit the stage at Stubb's BBQ in Austin, Texas, ready to deploy some serrated weaponry. From neatly attired singer George Mitchell's assured yelp to a guitar attack that's clean and direct, the group generated a stormy sound that roared and banged with sleekness and power, while hinting at the doomstruck beauty of forebears like Joy Division.

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