Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

The practice of lulling a child to sleep through music must be about the oldest tradition imaginable. All parents have wanted their children to sleep at some point, if only to have a little peace and quiet — and to plot strategies for getting their own shuteye.

Pianist Alessio Bax knows all about sleep — and lack thereof. He's a first-time parent, and his 22-month-old daughter Mila is, like any child that age, a handful, not to mention impossibly cute.

In 1970, a young business school grad — and failed opera singer — named David Gockley landed a job as business manager of the Houston Grand Opera. After two years, at age 27, he moved up to general director.

Over the next 30 years, Gockley transformed the company into a hothouse for new and revived American opera. During his tenure in Houston, Gockley presented 35 world premieres, including John Adams' Nixon in China, Stewart Wallace's Harvey Milk, Leonard Bernstein's A Quiet Place, Mark Adamo's Little Women and three operas by Carlisle Floyd.

Barry Douglas knows a few things about handing down traditions. In this Tiny Desk performance, he passes along the musical heritage of his Irish homeland in the form of old Celtic songs he's arranged for solo piano.

When the New York City Opera (NYCO) announced its final performances and imminent bankruptcy in September 2013, opera lovers, not just in Manhattan, were shocked.

The Estonians are serious about singing. The power of human voices practically propelled the small Baltic country to independence during the Soviet era. In the late 1980s, hundreds of thousands of Estonians routinely gathered to perform forbidden patriotic songs. The events energized the nation, leading to what was called the "Singing Revolution."

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.

When critics talk about Yuja Wang, they continue to reach for superlatives.

Violinist Lara St. John has attitude in spades. It's in the sound of her playing and in the arc of her career.

The Chicago new-music ensemble Eighth Blackbird is on a roll. Just after winning its fourth Grammy in February, the group received a MacArthur Award for Creative and Effective Institutions; the prize came with a $400,000 grant. Hand Eye — Eighth Blackbird's second album in seven months — just came out, and this season the group marks its 20th anniversary. The celebration includes an extensive tour, with world premieres of music by Bryce Dessner and David T.

Late in 1968, it was astounding to me how one of the best-loved bands could create one of the least-liked songs. It was "Revolution 9," near the end of The Beatles' sprawling White Album.

But then, I was only 7 years old and, frankly, those eight minutes of chaotic sounds and mumbled words were positively frightening. And who was that guy who kept intoning "number nine?"

One hundred years ago, a musician was born who took the world by storm, both with his violin and with his warmhearted humanity. Yehudi Menuhin was born April 22, 1916, in the Bronx to Russian immigrants. He began his career as an astounding child prodigy in velvet knee pants. But two men who knew him well — documentary filmmaker Bruno Monsaingeon and violinist Daniel Hope — maintain that as Menuhin grew older, he turned out to be far more than just another virtuoso.

The Seventh Symphony by Dmitri Shostakovich is combat reporting from one of the most devastating events in modern times.

On June 22, 1941, Hitler's army invaded the Soviet Union. By late August the city of Leningrad was surrounded in a siege that would last almost 900 grueling days.

With his long beard, homemade horned helmet, flowing cloak and spear, he was known as the Viking of Sixth Avenue. He was born Louis Thomas Hardin in Marysville, Kan. in 1916 and later called himself Moondog. At 16, he was blinded while fiddling with a blasting cap.

With his long beard, homemade horned helmet, flowing cloak and spear, he was known as the Viking of Sixth Avenue. He was born Louis Thomas Hardin in Marysville, Kan. in 1916 and later called himself Moondog. At 16, he was blinded while fiddling with a blasting cap.

Ane Brun recently turned 40, and she — like many of us who've reached that milestone — has been taking stock of her life. It's a life filled with music and success, but there have also been a few rough spots. Like the time we scheduled her to play a Tiny Desk concert in 2012 and she was forced to cancel an entire North American tour (with Peter Gabriel) due to a lupus flareup. Brun, a Norwegian native based in Sweden, was diagnosed with the autoimmune disease when she was 27.

The harpsichord was eclipsed first by the fortepiano in the 18th century and eventually by the modern grand, but that doesn't mean the instrument is out of sight or out of mind.

You might call it old wine in new bottles, but what sweet, masterfully crafted wine it is. Upheld by Stillness, the debut album by the young and vibrant British a cappella choir ORA, presents a contemporary twist on a 16th-century classic.

Hungarian conductor Iván Fischer has strong opinions about his homeland, from its music to its politics.

Opera singer Lawrence Brownlee is known for portraying kings and princes. But lately he's been thinking about real people: Trayvon Martin, Michael Brown and Freddie Gray, to name a few.

Nicholas McCarthy was born without his right hand. Pursuing the piano would not exactly appear to be the most intuitive career choice. And yet that is exactly what the 26-year-old British pianist has done. His debut album, Solo, will be released next week.

McCarthy's "Aha!" piano moment came relatively late, at age 14, after he heard a friend play Beethoven's "Waldstein" Sonata. In a flash, he saw his future. He was determined to become a concert pianist.

Note: NPR's First Listen audio comes down after the album is released, but you can hear a track below via YouTube.

It was the day before Thanksgiving in 1902 when the Philadelphia Orchestra made its debut at Carnegie Hall. Music by Tchaikovsky was on the program and on the podium was Fritz Scheel, the first leader of an orchestra founded just two years before.

Note: NPR's First Listen audio comes down after the album is released, but you can hear an excerpt below via YouTube.

The title of Daniel Wohl's "Source" is something of a play on words. The actual sources of his captivating array of sounds are not completely clear. But it doesn't really matter. Just let the meticulously crafted, slightly surreal music from the Paris-born, Los Angeles-based composer soak in.

Although 2015 produced arguably fewer big headlines in classical music than its predecessors, there were still surprising stories.

Amid the ubiquitous din of annual chestnuts like "Jingle Bells" and "Let it Snow," you may be surprised to learn that people are actually writing new holiday songs. And as it turns out, some of them are pretty great.

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