Join the Band –
Little Feat and Friends (429) – The members of Little Feat must be the most
ego-less set of musicians working. That’s my opinion after listening to Join the Band, which is primarily a
tribute disc comprised of new versions of their past catalog with a few new
tunes thrown in. While Little Feat is prominently featured, on many of the
tracks the guests overpower the Little Feat sound, so Bob Seger’s take on
“Something in the Water” sounds suspiciously like his “Nutbush City Limits,”
“Oh Atlanta” featuring Chris Robinson of the Black Crowes is reminiscent of
their hit “Hard to Handle,” and “Sailin’ Shoes” with Bela Fleck and Sam Bush
becomes a new grass jam. There are other revelations here as well, such as Vince
Gill would be a natural leading this band (check him out on “Dixie Chicken”)
and there’s a version of Woody Guthrie’s “This Land is your Land” that would
win my vote if we ever discussed changing our national anthem. If Little Feat
had any objections to essentially being the backing band to a variety of “… and
Friends” who passed through the studio, it’s not at all apparent. This is a
very lively and engaging disc and the musicianship is top-notch.
How to Walk Away –
Juliana Hatfield (Ye Olde Records) – Let’s call this music for
about-a-month-or-so after the break-up. You’re pretty much over the pain and
now the angst is just kind of annoying and no longer debilitating. There’s no
real bitterness in these post-break-up songs …”She’s such a beautiful girl but
she lives in an ugly world,” “I’m heading your way into your burning flame,”
“It’s just lust, that doesn’t mean I love you”… well, o-k, maybe some… but it’s
definitely in check and performed with enough lightness of spirit that you’re
not dragged down into the abyss.
Two Sets – Chuck
Brodsky (Waterbug) – It’s often said of a performer “they’re so much better
live than on CD” which I’ve always found an odd statement… I’ve never heard a
singer who was Don Knotts in the studio and Enrico Caruso in front of an
audience. I think what people are saying is “they’re so much more engaging in
front of an audience than on CD”… that I’ll buy… and that describes Asheville’s Chuck
Brodsky. I’ve always enjoyed his studio recordings, but they didn’t prepare me
for his live performance skills which are arresting. Two Sets is just that… Chuck recorded live, just him and his guitar
for the most part… and I’d have to say if I was going to direct someone to buy
a Chuck Brodsky recording, this would be the one. The fact it’s essentially a
“greatest hits” collection for someone who’s never had a hit probably helps as
well. There are baseball ballads, a ping-pong ballad, a few politically pointed
numbers, some sentimental tunes, a Christmas tale for those of the Jewish
faith… all with some fun stories mixed in between. It’s as engaging as a CD can
be.
Broken Lands –
Indigenous (Vanguard) – If you like your blues sweat drenched and emotionally
raw… this ain’t it. But if you like your blues… o-k, blues-rock… along the
lines of Los Lonely Boys, this is the ticket. It’s actually unfair to compare
Indigenous to the Garza Brothers being Indigenous has been at it for much
longer, but, hey, sometimes fame adjusts the equation. Still, this is very good
stuff. The band is essentially guitarist/vocalist/songwriter Mato Nanji and
some other people… at one time Indigenous was a family band similar to Los
Lonely Boys (there’s that comparison again) but the musical family split up a
few years back. My remembrance of those early releases is the split might be a
good thing… Indigenous’ early releases were worth retail price but Mato was
certainly the highlight. Broken Lands
confirms and focuses that.
Found a Reason –
Mad Tea Party (Nine Mile) – I’ve only heard ukulele and electric guitar on
three recordings… “The Who By Numbers,” a Pearl Jam CD whose name I can’t
recall, and, of course, “Don Ho versus the Beatles.” I bring this up because
Mad Tea Party out of Asheville brings those disparate instruments together on
their new release Found a Reason… and
often on the same track, unlike The Who, Pearl Jam, the Beatles and Don Ho. Found a Reason is wildly all over the
road… a little surf music followed by a country weepie followed by a
retro-rocker vaguely reminiscent of “Leader of the Pack.” If your Ipod lives on
shuffle play, you’re going to love Mad Tea Party.
Nobody Left to Crown
– Richie Havens (Verve Forecast) – One of the nice things about hosting The Sound is the chance to hear from voices I haven’t heard in a
while… they’ve fallen off the charts, too old & gray for video, but still
every bit the musician when they filled arenas and had hit records. So welcome
back Woodstock
veteran Richie Havens, who after all these years lacks a little of the vocal
power he brought forth back-in-the-day but is still unmistakably Richie
Havens... and he still has something to say. Self-penned tunes and selections
by (amongst others) Peter Yarrow and Jackson Browne put this in the protest
tune category (spoiler alert -- he doesn’t like the direction our country is
taking), and while protest tunes can get tiring sometimes in their
over-righteousness, I like Richie’s take on things. He lists his grievances,
but not in such a way you feel there’s no hope for those on this path. Yes, the
sky is falling, but isn’t it a remarkable shade of blue!
Promised Land –
Dar Williams (Razor & Tie) – If you must buy one album of singer/songwriter
material this year, let it be this one. Promised
Land is about as intelligently crafted as I’ve seen in ages… Dar’s as-usual
smart songwriting with a few carefully chosen covers (she wins points for
covering “Troubled Times” by one of my favorite slightly-below-the-radar bands
Fountains of Wayne) combined with one of the better production jobs I’ve heard
in quite a while. Her producer Brad Wood adds a variety of oddball touches…
from a Farfisa-ish organ rhythm to a mournful brass ensemble… that add emphasis
points to what Dar is singing.
Skin Deep – Buddy
Guy (Silvertone) – If someone’s still searching for the Fountain of Youth, find
out where Buddy Guy lives. While the rock heroes of my college years are
scaling back and writing for Broadway (“I’ll write it, but let the kids sing
it”), Buddy Guy at the age of 72 still rocks the blues as effectively as ever.
In fact, about the only complaint I have with Skin Deep is that on a few occasions he attacks material TOO
frenetically. But otherwise, Buddy spans the gamut on Skin Deep… from the peace-and-brotherhood title track to a sexually
boastful “I Found Happiness,” Buddy is as authentic as they come.