Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

Ashley Campbell's singing voice is sweet and a little sly, suggesting that she knows a listener might underestimate her and she's about to prove them foolish. There's no reason to low-ball the potential of a woman who has perfected the arts of both banjo picking and improv comedy, but Campbell is a young woman and the daughter of a famous man — two facts that, for artists, can lead to surface judgments.

On the day we talked to him, Joshua Hedley came into the studio with a cold; he was all apologies and sniffles, a cough chasing his hello. Yet when the longtime Nashville favorite entered the recording booth, a seeming miracle occurred. His trademark tenor emerged clean, warm, and on point, rounding out each note beautifully within his classic country songs.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

If John and T.J. Osborne hadn't been born brothers, each might have found artistic success in his own lane. John's a hotshot guitarist who developed his smooth, inventive style emulating hard rockers and bluegrass pickers. T.J. has the resonant baritone of a classic country crooner, with a little Eddie Vedder thrown in.

Dom Flemons grew up in Arizona, where barbecue pits and shops called Strictly Western dot the landscape and more than 600 rodeos take place every year. He watched Western movies, but as a black kid, didn't see himself in them. Flemons grew up to become a leader in 21st-century folk music, co-founding the Carolina Chocolate Drops, a string band that revolutionized the folk world by showing old-timey music's African roots.

The most heart-wrenching country songs employ metaphor like a splash of cold water. They wake you up with a shock; blinking, you see the world just a little bit differently.

The results are in for the first-ever NPR Turning the Tables readers' poll, and they send a strong message to anyone fancying themselves a cultural justice warrior in 2018. It is this: check your intervention.

Mention Erin Rae's name in Nashville indie music circles and you'll get a certain reaction: people's eyes light up, they sigh, and use words like "angelic" and "mesmerizing." Rae's gentle voice and subtle, deeply insightful songwriting have made her a standout among the city's folk and Americana artists for years.

Around a year ago, a group of women connected within the NPR universe started having a conversation about music. We had a plan to make a list, one that would challenge decades-old assumptions about what and who matters most in popular music. Our idea was a simple one: Put women at the center, instead of just including a few somewhere around number seven or 32.

In July , NPR Music published Turning The Tables, its list of The 150 Greatest Albums By Women released during the "classic album era," defined as 1964-2016. Our occasional listening parties bring together voters to discuss some of their favorites from the list.

Caitlyn Smith has a voice that grabs you the first time you hear it. Her high register conjures thoughts of purple mountain majesty. When she drops into a murmur, it feels like she's telling you a secret she's never told anyone before. Considering those pipes, it's surprising that it took Smith 15 years to find her footing in Nashville.

In the movies, songs often signify absence, or distance, a gap difficult to fill through plotting or dialogue. Entering the space between desire and communion, bondage and freedom, or grief and comfort, songs reinforce the reassuring magic of cinema.

With a little help, Kacey Musgraves has spent the past five years building a new musical world in Nashville. Now, with two new songs from her upcoming album Golden Hour, she's showing the world that she is fully living in it.

Nashville rock is fun, loud and often trashy, but the best bands push themselves beyond mere noise into visionary territory. Idle Bloom is a band that's grown from its roots in the all-ages punk scene to become one of the city's most musically compelling and lyrically insightful ensembles.

Who in the pop world but Janelle Monae could pack dystopian Afro-Futurism, sleek runway style, action sequences, club hotness and tender love into thirty seconds?

When people ask about the rock 'n' roll sound of Nashville, locals might direct them to the garage rock scene, to Jack White's Third Man Records, or to guitar-slinging country outlaws like Sturgill Simpson or Eric Church. But they'd be remiss to leave out Moon Taxi, a band that's grown a large and devoted fan base in Music City since forming at Belmont College 10 years ago.

This is NPR Music's live blog of the 2018 Grammy Awards. The telecast of the awards show is scheduled to run from 7:30 until 11:00 p.m. ET. We'll be here the whole time, updating this post with every award or performance.

If you travel in Nashville's singer-songwriter circles, or literary circles, or progressive activist circles, you've probably witnessed Mary Gauthier bring a room to tears. Born in New Orleans, Gauthier has lived in Music City since 2001 and made her mark on both the mainstream country and Americana worlds.

Wrapping up a year of some incredible sessions, this week, World Cafe is digging into the archives for some of its best performances and interviews of 2017.

In music and the culture it reflects, 2017 was predictably unpredictable: idols fell, empires shook, consensus was scarce. This conversation is one of five with artists, makers and thinkers whose work captured something unique about a chaotic year, and hinted at bigger revelations around the bend.

Last summer I took my daughter to Vans Warped Tour for the first time. She'd been clamoring to go since the first time she'd walked into a Hot Topic store and bought a t-shirt emblazoned with the logo of the band Black Veil Brides; deeply devoted to that band and its sweetly philosophical, doe-eyed singer Andy Biersack, she'd even had their album cover painted on her eleventh birthday cake. By age 13 she'd become utterly versed in current pop-punk and grunge-indebted metal, shouting along to her playlists of Neck Deep and Attila songs in the car.

Kyle Jahnke and Andy Baxter, collectively known as Penny & Sparrow, are pin-drop performers, the kind which silence rooms with impeccable songs and storytelling that unfolds like a dream. The duo has amassed a devoted following in six years, and traveled from Austin, Texas to Muscle Shoals, Ala., now splitting its time between the two musical centers.

In 2018, country rock will be 50 years old; that's according to most official histories, anyway, which mark the subgenre's beginnings with the release of two Gram Parsons projects, the International Submarine Band's Safe At Home and The Byrds' Sweetheart Of The Rodeo. Why not celebrate a little early?

With the nominees recently announced, the 60th Annual Grammy Awards return to New York City, taking place at Madison Square Garden on January 28. Over the years, World Cafe has had numerous visits from those nominated and those who've won.

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