David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
11:43 am
Fri March 15, 2013

Three New Films Examine What It Means When Girls Act Out

Ginger & Rosa (starring Alice Englert and Elle Fanning) was directed by Sally Potter, who is perhaps best known for her 1992 film Orlando.
Sally Potter

Originally published on Fri March 15, 2013 5:37 pm

In the '60s, some fervent rock groupies formed a band called the GTOs — short for "Girls Together Outrageously" — and while it didn't last, the name captures the impulse behind stories in which women chafe against the male-centric society that pulls their strings. This week you can see a girls-together-outrageously triple bill: Spring Breakers, Ginger & Rosa and Beyond the Hills.

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Movies
12:04 pm
Fri March 8, 2013

'Oz': Neither Great Nor Powerful

James Franco stars as the Wizard of Oz before the Wizard meets Dorothy in Oz the Great and Powerful.
Walt Disney Pictures

Originally published on Fri March 8, 2013 1:34 pm

Oz the Great and Powerful. Say that name aloud and you will smile, I guarantee you: It will conjure up so many images, characters, actors, songs. Then hold that smile as long as you can, because you won't be doing much smiling at the movie called Oz the Great and Powerful, the so-called "prequel" to The Wizard of Oz from Disney Studios.

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Movie Reviews
2:26 pm
Fri March 1, 2013

A Disappointing Thriller Channels Hitchcock And Bram 'Stoker'

Nicole Kidman (left) and Mia Wasikowska star as Evelyn and India Stoker in Park Chan-wook's new thriller.
Macall Polay Fox Searchlight Pictures

Stoker has a ripely decadent, creepy-crawly feel that would have gotten under my skin if the tone weren't so arch and the people so ghoulishly remote. It's like a bad Strindberg play with added splatter. But director Park Chan-wook certainly works to make you uncomfortable. Take the early shot in which the teenage girl protagonist, India Stoker, played by Mia Wasikowska, sits in a meadow and muses in voiceover on the subject of free will versus destiny. She says, "Just as a flower doesn't choose its color, so we don't choose what we are going to be" — while draining a blister.

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Movie Reviews
11:53 am
Fri February 8, 2013

'Caesar' Comes Alive In An Italian Prison

Brutus (Salvatore Striano) fixes a wild stare at the witnesses and conspirators after Julius Caesar's murder, in a scene from Paolo and Vittorio Taviani's Caesar Must Die.
Adopt Films

Originally published on Fri February 8, 2013 1:09 pm

In the early '80s, Italy's Taviani brothers, Paolo and Vittorio, made one of the true modern masterpieces, The Night of the Shooting Stars. Set in the last days of World War II, when Germans laid mines all over Tuscan villages and Fascists loyal to Mussolini killed their own countrymen, it was a very cruel film.

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Movies
10:17 am
Fri February 1, 2013

'Gatekeepers' Let Us Inside Israeli Security

The documentary The Gatekeepers examines Israeli security policy in interviews with six former heads of the secretive Shin Bet agency.
Sony Pictures Classics

Originally published on Fri February 1, 2013 10:24 am

The Oscar-nominated documentary The Gatekeepers centers on Israel's occupation of the West Bank and Gaza Strip, but from an unusual vantage — not the Palestinians or Israelis on the ground, but six men at the pinnacle of the country's security apparatus: the former heads of the security agency Shin Bet.

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Movies
11:51 am
Fri January 18, 2013

'Mama': A Good Old-Fashioned Horror Movie

Victoria (Megan Charpentier) and her sister, Lilly (Isabelle Nelisse), are near-feral orphans in the horror thriller Mama.
Universal Pictures

Originally published on Tue January 22, 2013 1:29 pm

I was weaned on horror movies and love them inordinately, but the genre has gone to the dogs — and to the muscle-bound werewolves, hormonal vampires, flesh-eating zombies, machete-wielding psychos, etc. It's also depressing how most modern horror pictures have unhappy nihilist endings in which everyone dies and the demons pop back up, unvanquished — partly because studios think happy endings are too soft, but mostly because they need their monsters for so-called franchises.

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Movie Reviews
10:51 am
Fri October 19, 2012

'The Sessions': Sex, Comedy And Something More

Living most of his life in an iron lung forces Mark O'Brien (John Hawkes) to see the world from a different point of view.
Fox Searchlight

Originally published on Fri October 19, 2012 10:53 pm

In 1983, Berkeley poet and journalist Mark O'Brien wrote an article about sexual surrogates — women and men trained to help people with disabilities learn to use their bodies to give themselves and others erotic pleasure.

For O'Brien, the subject wasn't academic. After a bout of childhood polio, he had spent much of his life in an iron lung. He could talk, and tap out words on a typewriter holding a stick in his mouth. He could feel things below the neck. But he couldn't move his muscles.

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Movie Reviews
12:38 pm
Fri October 12, 2012

'Argo': Too Good To Be True, Because It Isn't

CIA agents Tony Mendez (Ben Affleck) and Jack O'Donnell (Bryan Cranston) plan a risky mission to save six Americans trapped in Iran.
Claire Folger Warner Bros. Pictures

Originally published on Fri October 12, 2012 1:01 pm

Ben Affleck's Argo is two-two-TWO movies in one, and while neither is especially original, by merging them Affleck pulls off a coup. First, he gives you espionage with the You Are There zing of a documentary. Then he serves up broad showbiz satire. For his final feat, he blends the two into a pulse-pounding nail-biter of a climax. And this all really happened. Most of it. Except for that climax.

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Movie Reviews
2:10 pm
Fri October 5, 2012

At College, A 'Pitch Perfect' Musical Comedy

Originally published on Tue October 16, 2012 5:23 pm

Transcript

DAVE DAVIES, HOST:

Actress Anna Kendrick was nominated for an Academy Award for her supporting role in "Up in the Air." Now she stars in the film musical, "Pitch Perfect," in which she plays a college freshman who reluctantly joins the school's illustrious all-female a cappella group. Director Jason Moore is best known for his work on the satirical Broadway musical, "Avenue Q." Film critic David Edelstein has this review of "Pitch Perfect."

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Movie Reviews
4:12 pm
Thu September 27, 2012

'Looper': Time-Travel Nonsense, Winningly Played

Old Joe (Bruce Willis) and his younger self (Joseph Gordon-Levitt), two iterations of the same assassin, play a particularly personal game of cat and mouse in the time-travel thriller Looper.
Alan Markfield Sony Pictures

I adore time-travel pictures like Looper no matter how idiotic, especially when they feature a Love That Transcends Time. I love Somewhere in Time with Christopher Reeve and Jane Seymour, The Time Traveler's Wife, even The Lake House with Keanu Reeves and Sandra Bullock in different years sending letters through a magic mailbox. So terrible. So good. See, everyone wants to correct mistakes in hindsight, and it's the one thing we cannot do. Except vicariously, in movies.

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Movie Reviews
11:34 am
Fri September 21, 2012

The Art Of Preserving A High School 'Wallflower'

Charlie (Logan Lerman), Patrick (Ezra Miller) and Sam (Emma Watson) navigate the joys and pains of high school in The Perks of Being a Wallflower.
John Bramley Summit Entertainment

Originally published on Fri September 21, 2012 12:57 pm

The hero of both the novel and the film The Perks of Being a Wallflower is a high school freshman loner named Charlie whose best friend committed suicide the previous spring. He's on psychiatric meds, lots of them, and still has blackouts and mysterious visions of a doting aunt who died when he was 7.

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Movie Reviews
1:10 pm
Fri September 14, 2012

'The Master': Filling A Void By Finding A Family

Joaquin Phoenix stars as Navy veteran Freddie Quell in The Master.
Phil Bray The Weinstein Company

Originally published on Fri September 14, 2012 1:45 pm

Paul Thomas Anderson's The Master is both feverish and glacial. The vibe is chilly, but the central character is an unholy mess — and his rage saturates every frame. He's a World War II South Pacific vet named Freddie Quell, played by Joaquin Phoenix to the hilt — the hilt above the hilt. We meet him at war's end on a tropical beach where he and other soldiers seek sexual relief atop the figure of a woman made out of sand.

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Movie Reviews
1:55 pm
Fri September 7, 2012

'Bachelorette' Sounds Dark Comedic Depths

Party Animals: Lizzy Caplan (from left), Isla Fisher and Kirsten Dunst play the brazen bridesmaids who make trouble for bride-to-be Becky (Rebel Wilson) in Bachelorette.
Radius-TWC

Long before Bridesmaids convinced studio executives that a raunchy, female-centric comedy could find a huge audience, Leslye Headland was busy adapting her play Bachelorette into a movie. So this isn't a copycat rom-com, but the themes do overlap. Each film turns on a female rivalry: In Bridesmaids, it's between the maid of honor, Kristen Wiig, and the bride's rich friend, played by Rose Byrne. In Bachelorette, the rivalry is more complicated, more ... ugly. It's between the three, 30-ish, unmarried central characters and the bride.

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