Fresh Air on PRE News And Ideas
Weekdays, 3pm and 7pm
Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. The show is well known for Terry's interesting and intimate conversations with a wide variety of guests.
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In his Prime Video series, Ahmed plays a struggling actor auditioning to be the next James Bond. Ahmed says Bond is a "symbol of aspiration, this unattainable kind of self" his character is pursuing. -
Harrison Ford says he isn't retiring: "I really wouldn't know what to do with myself." David Bianculli reviews a the Peaky Blinders film. Spufford's new novel is set during the London Blitz. -
Ryan Gosling plays an astronaut in this derivative, carefully manufactured crowd-pleaser; Project Hail Mary doesn't feel like storytelling so much as mechanical engineering.
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Book Binder, who died March 3, was known for Southern blues and hillbilly music, and great story telling. He recorded with Fresh Air in 1987, playing music and reflecting on his career on the road.
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Mardsen starred in the original Jury Duty, an experimental show about a man who becomes part of a staged fake jury. Now the series is back in a new setting. Originally broadcast May 2, 2023.
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The Grammy-winning singer describes herself as a "53-year-old woman who is maneuvering her career the way she wants to, how she wants to." Scott's new album is To Whom This May Concern. -
Tommy Shelby's estranged son has taken control of the old gang and is making new and dangerous moves and alliances. Cillian Murphy stars in this gripping movie-length Peaky Blinders sequel. -
Spufford's new novel centers a young woman in sexist World War II England as she navigates romance, tries to survive the nightly bombings of the Blitz and fights time-traveling fascists.
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With the Strait of Hormuz blocked, policy expert Karim Sadjadpour says the war in Iran is becoming increasingly complicated: "I don't think President Trump ... understood what he was getting into." -
Biographer Daniel Okrent discusses Sondheim's approach to writing music and lyrics, his often toxic relationship with his mother and his work with mentors and collaborators.
