This is TELL ME MORE from NPR News. I'm Michel Martin. Now it's time for Faith Matters. That's the part of the program where we talk about faith, religion and spirituality. Over the past few weeks, we've talked a number of times about the hundreds of girls who were kidnapped from a school in northern Nigeria.
In The Social Network, Jesse Eisenberg invented Facebook. In Now You See Me, he mastered magic tricks. In Rio, his animated macaw learned to fly, and his Lex Luthor will soon be nemesis-ing the caped crusader in Batman Vs. Superman. But it's safe to say that none of those pictures asked half as much of Eisenberg as Richard Ayoade's The Double, which requires him, pretty literally, to meet himself coming and going.
In 2000, Jeff Shesol was nearing the end of his stint as a White House speechwriter for President Clinton. He went to the Democratic convention in Los Angeles, where he met a young staffer from Britain's Labour Party. They struck up a friendship.
"And so almost immediately after the Clinton administration had ended, I got a call to come over and begin writing speeches," Shesol says. "Before long, Labour was in the throes of its campaign, and I was stationed there along with them."
This is FRESH AIR. I'm TV critic David Bianculli. This weekend two very different TV productions attempt to do much the same thing - revisit old works of literature in the horror and suspense genre and adapt them with new approaches for a new generation. NBC's four hour miniseries version of Ira Levin's "Rosemary's Baby" barely justifies the attempt.
Philip Seymour Hoffman, in one of his final film roles, stars as Mickey in "God's Pocket," the new movie directed by John Slattery. Slattery is famous for his role as Roger Sterling on TV's "Mad Men" and over the years has directed several episodes of that AMC series. He makes the transition to feature film directing with "God's Pocket" which he and Alex Metcalf adapted from the 1983 novel by Pete Dexter.
When Marc Maron started his podcast "WTF with Marc Maron" out of his garage in September 2009, he was in a dark place: He was going through a divorce, his comedy career had hit a wall and — in his mid-40s — he didn't have a Plan B.
There is a strong crossover between your Daniel Radcliffe People and your Harry Potter People, for obvious reasons. Next to me at Broadway's Cort Theater on Thursday night, watching Radcliffe in Martin McDonagh's comedy The Cripple Of Inishmaan (a production that's Tony-nominated for Best Revival Of A Play) were three young women. Their first priority: finding out where to await him when the show was over, and strategically how to get a good spot.
Marketer Rory Sutherland says advertising adds value to a product by changing our perception, rather than the product itself. He says perceived value can be just as satisfying as what we consider "real" value.
We get a lot of mail at NPR Music, and alongside the flyer for a maid service that disappeared into a massive pile of papers is a slew of smart questions about how music fits into our lives — and, this week, thoughts on when to deviate from traditional wedding-reception music.